{"id":950,"date":"2020-06-10T13:33:30","date_gmt":"2020-06-10T13:33:30","guid":{"rendered":"https:\/\/www.spotlight.com\/?p=950"},"modified":"2026-05-21T09:58:38","modified_gmt":"2026-05-21T09:58:38","slug":"links-for-professionals-on-spotlight","status":"publish","type":"post","link":"https:\/\/www.spotlight.com\/help-and-faqs\/links-for-professionals-on-spotlight\/","title":{"rendered":"Helpful resources for Spotlight Agent and Casting members"},"content":{"rendered":"<p>We\u2019ve compiled a handy list of resources for our agent and casting members. This list includes guidelines on language and inclusivity, codes of conduct, child employment resources and much more.<\/p>\n<h3><strong>Agency Resources<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/thepma.com\/\" target=\"_blank\" rel=\"noopener\">Personal Managers&#8217; Association (PMA)<\/a><\/li>\n<li><a href=\"https:\/\/www.theaypa.co.uk\/\" target=\"_blank\" rel=\"noopener\">Agents of Young Performers Association (AYPA<\/a>)<\/li>\n<li><a href=\"http:\/\/cpma.coop\/\" target=\"_blank\" rel=\"noopener\">Co-operative Personal\u00a0Management Association (CPMA)<\/a><\/li>\n<li><a href=\"https:\/\/www.tagmin.co.uk\/\" target=\"_blank\" rel=\"noopener\">Tagmin &#8211; Spotlight&#8217;s Agency Solution <\/a><\/li>\n<li><a href=\"https:\/\/spotlight-cmsmedia.s3-eu-west-1.amazonaws.com\/media\/2859\/pma-guidelines-for-agents-schools-graduates.pdf\" target=\"_blank\" rel=\"noopener\">Best Practice Guidelines for Meeting and Offering\u00a0Representation to New Graduates<\/a><\/li>\n<li><a href=\"https:\/\/www.legislation.gov.uk\/ukpga\/1973\/35\" target=\"_blank\" rel=\"noopener\">Employment Agencies Act 1973<\/a><\/li>\n<li><a href=\"https:\/\/www.kellysandrews.com\/\" target=\"_blank\" rel=\"noopener\">Agent Training and Talent Contracts Consultancy: Kelly Andrews<\/a><\/li>\n<\/ul>\n<h3><strong>Auditions<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.equity.org.uk\/advice-and-support\/casting-and-auditions\/self-tape-zoom-auditions-guidance\/\" target=\"_blank\" rel=\"noopener\">Equity Code of Best Practice for Self-Tape &amp; Zoom Auditions for Commercials<\/a><\/li>\n<li><a href=\"https:\/\/www.bbc.co.uk\/writersroom\/scripts\" target=\"_blank\" rel=\"noopener\">BBC Writer\u2019s Room Script Library<\/a><\/li>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/getting-work\/the-actors-guide-to-audition-prep\/\" rel=\"noopener\">Preparing an audition<\/a><\/li>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/the-essentials\/an-actor-s-guide-to-good-etiquette\/\" rel=\"noopener\">Penciling and recalls etiquette<\/a><\/li>\n<li><a href=\"https:\/\/www.equity.org.uk\/media\/6209\/code-of-best-practice-for-self-tape-zoom-auditions-for-commercials.pdf\" target=\"_blank\" rel=\"noopener\">Best Practice: Self-tape &amp; Zoom Auditions for Commercials<\/a><\/li>\n<li><a href=\"https:\/\/spotlight-cmsmedia.s3-eu-west-1.amazonaws.com\/media\/2805\/self-tape-code-of-practice.pdf\" target=\"_blank\" rel=\"noopener\">Best Practice: Self-tape and Zoom Auditions for Scripted Drama<\/a><\/li>\n<\/ul>\n<h3><strong>Agreements and Contracts<\/strong><\/h3>\n<p>Sign-up to Equity\u2019s Industry Information Service for up-to-date industry agreements, guides, and digests.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.spotlight.com\/the-small-print\/contract-types-glossary\/\">Glossary of Contract types on Spotlight<\/a><\/li>\n<li><a href=\"https:\/\/www.equity.org.uk\/advice-and-support\/casting-and-auditions\/a-guide-to-working-on-shorts-and-festival-circuit-films\" target=\"_blank\" rel=\"noopener\">Equity Guide for Short Films &amp; the Festival Circuit<\/a><\/li>\n<li><a href=\"https:\/\/spotlight-cmsmedia.s3-eu-west-1.amazonaws.com\/media\/2786\/gr1-and-force-majeure.pdf\" target=\"_blank\" rel=\"noopener\">SAG-AFTRA GR1 and Force Majeure<\/a><\/li>\n<li><a href=\"https:\/\/www.sagaftra.org\/contracts-industry-resources\/global-rule-one\" target=\"_blank\" rel=\"noopener\">SAG-AFTRA Global Rule 1 <\/a><\/li>\n<\/ul>\n<h3><strong>Discrimination, Bullying and Harassment<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/spotlight\/spotlight-new-provider-wellbeing-in-the-arts\/\" rel=\"noopener\">Wellbeing in the Arts<\/a><\/li>\n<li><a href=\"https:\/\/filmtvcharity.org.uk\/\" target=\"_blank\" rel=\"noopener\">Film and TV Charity<\/a><\/li>\n<li><a href=\"https:\/\/timesupuk.org\/\" target=\"_blank\" rel=\"noopener\">Time\u2019s Up UK<\/a><\/li>\n<li><a href=\"https:\/\/www.acas.org.uk\/discrimination-bullying-and-harassment\" target=\"_blank\" rel=\"noopener\">ACAS Guidelines on Bullying and Harassment<\/a><\/li>\n<li><a href=\"https:\/\/www.bannerjones.co.uk\/resources\/positive-action-not-positive-discrimination\" target=\"_blank\" rel=\"noopener\">Positive Action Versus Positive Discrimination<\/a><\/li>\n<li><a href=\"https:\/\/www.cantbuymysilence.com\/\" target=\"_blank\" rel=\"noopener\">NDA\u2019s &#8211; Can\u2019t Buy My Silence<\/a><\/li>\n<li><a href=\"https:\/\/ciisa.org.uk\/\" target=\"_blank\" rel=\"noopener\">Creative Industries Independent Standards Authority (CIISA)<\/a><\/li>\n<\/ul>\n<h3><strong>Casting Guilds &amp; Organisations<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/assorda.com\/\" target=\"_blank\" rel=\"noopener\">ARDA<\/a><\/li>\n<li><a href=\"https:\/\/www.castingdirectorsassociation.com\/\" target=\"_blank\" rel=\"noopener\">Casting Directors Association<\/a><\/li>\n<li><a href=\"https:\/\/www.thecdg.co.uk\/\" target=\"_blank\" rel=\"noopener\">Casting Directors\u2019 Guild<\/a><\/li>\n<li><a href=\"http:\/\/www.castingguild.com.au\/\" target=\"_blank\" rel=\"noopener\">Casting Guild of Australia<\/a><\/li>\n<li><a href=\"https:\/\/www.castingsociety.com\/\" target=\"_blank\" rel=\"noopener\">Casting Society<\/a>\u00a0(CSA)<\/li>\n<li><a href=\"https:\/\/the-icda.com\/\" target=\"_blank\" rel=\"noopener\">International Casting Directors Association (ICDA)<\/a><\/li>\n<li><a href=\"https:\/\/www.unioneitalianacastingdirectors.it\/\" target=\"_blank\" rel=\"noopener\">Italian Union of Casting Directors<\/a><\/li>\n<li><a href=\"https:\/\/apdice.es\/\" target=\"_blank\" rel=\"noopener\">Professional Association of Casting Directors Spain (APDICE)<\/a><\/li>\n<li><a href=\"http:\/\/www.usefee.tv\/\" target=\"_blank\" rel=\"noopener\">Usefee TV Calculator<\/a><\/li>\n<\/ul>\n<h3><strong>Codes of Conduct &amp; Guidelines, Nudity and Intimacy<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/the-industry\/the-equity-casting-manifesto-what-you-need-to-know\/\" rel=\"noopener\">Equity Manifesto for Casting<\/a><\/li>\n<li><a href=\"https:\/\/www.sagaftra.org\/sag-aftra-code-conduct\" target=\"_blank\" rel=\"noopener\">SAG-AFTRA Code of Conduct<\/a><\/li>\n<li><a href=\"https:\/\/thepma.com\/wp-content\/uploads\/ACOP-REPRESENTING-ARTISTS.-RATIFIED-NOVEMBER-2021.pdf\" target=\"_blank\" rel=\"noopener\">PMA Code of Conduct<\/a><\/li>\n<li><a href=\"https:\/\/spotlight-cmsmedia.s3-eu-west-1.amazonaws.com\/media\/2830\/cpma-code-of-conduct.pdf\" target=\"_blank\" rel=\"noopener\">CPMA Code of Conduct<\/a><\/li>\n<li><a href=\"https:\/\/www.bectuintimacybranch.co.uk\/shooting-intimacy-guidelines-uk\" target=\"_blank\" rel=\"noopener\">BECTU\u2019s Shooting Intimacy Guidelines<\/a><\/li>\n<li><a href=\"https:\/\/www.intimacyonset.com\/\" target=\"_blank\" rel=\"noopener\">Intimacy on Set<\/a><\/li>\n<li><a href=\"https:\/\/www.itaobrien.com\/intimacy-on-set-guidelines.html\" target=\"_blank\" rel=\"noopener\">Intimacy on Set Guidelines by Ita O\u2019Brien<\/a><\/li>\n<\/ul>\n<h3><strong>Equality, Diversity and Inclusion<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.incartsunlock.co.uk\/\" target=\"_blank\" rel=\"noopener\">Anti-racism: Unlock Toolkit<\/a><\/li>\n<li><a href=\"https:\/\/spotlight-cmsmedia.s3-eu-west-1.amazonaws.com\/media\/2781\/inc-arts-anti-racism-resources-list.pdf\" target=\"_blank\" rel=\"noopener\">Anti-racism: Resources and Further Reading<\/a><\/li>\n<li><a href=\"https:\/\/www.equity.org.uk\/advice-and-support\/casting-and-auditions\/guide-to-good-practice-with-bsl-in-the-arts\" target=\"_blank\" rel=\"noopener\">Good Practice in BSL &amp; the Arts<\/a><\/li>\n<li><a href=\"https:\/\/www.equity.org.uk\/advice-and-support\/casting-and-auditions\/casting-and-working-with-autistic-artists\" target=\"_blank\" rel=\"noopener\">Good Practice for Working With Autistic Artists<\/a><\/li>\n<li><a href=\"https:\/\/profileperformers.com\/\">ProFile Performers<\/a><\/li>\n<li><a href=\"https:\/\/triplec.org.uk\/danc\/\" target=\"_blank\" rel=\"noopener\">Triple C \/ DANC (Disabled Artists Networking Community)<\/a><\/li>\n<li><a href=\"https:\/\/www.tripleaperformer.uk\/2022\/06\/10\/training-videos-awareness-and-acceptance-of-neurodivergency-in-performing-arts\/\" target=\"_blank\" rel=\"noopener\">Triple A &#8211; Understanding Neurodiversity in the Performing Arts<\/a><\/li>\n<li><a href=\"https:\/\/www.thecdg.co.uk\/edi-group\/\" target=\"_blank\" rel=\"noopener\">CDG &#8211; EDI Group<\/a><\/li>\n<li><a href=\"https:\/\/thediversesquad.wixsite.com\/home\/about\" target=\"_blank\" rel=\"noopener\">PMA &#8211; The Diverse Squad<\/a><\/li>\n<li><a href=\"https:\/\/www.equity.org.uk\/advice-and-support\/casting-and-auditions\/guidelines-for-entertainment-professionals-working-with-lgbtplus-performers\" target=\"_blank\" rel=\"noopener\">Equity Guidelines for Working with LGBT+ Performers<\/a><\/li>\n<li><a href=\"https:\/\/www.spotlight.com\/help-and-faqs\/gender-disability-and-appearance-faqs-for-agents\/\" rel=\"noopener\">Gender and Disability on Spotlight, FAQs for Agents<\/a><\/li>\n<li><a href=\"https:\/\/genderedintelligence.co.uk\/\" target=\"_blank\" rel=\"noopener\">Gendered Intelligence Resources<\/a><\/li>\n<li><a href=\"https:\/\/pronouns.org\/what-and-why\" target=\"_blank\" rel=\"noopener\">Pronouns: What and Why<\/a><\/li>\n<li><a href=\"https:\/\/glaad.org\/reference\/entertainment\/\" target=\"_blank\" rel=\"noopener\">Trans Inclusive Theatre<\/a><\/li>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/understanding-trans-and-non-binary-casting-with-gendered-intelligence\/\" target=\"_blank\" rel=\"noopener\">Trans and Non-Binary language to use in breakdowns<\/a><\/li>\n<\/ul>\n<h3><strong>Graduates and Student Film<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/training\/10-tips-make-the-most-of-drama-school-final-year\/\">Drama school top tips<\/a><\/li>\n<li><a href=\"https:\/\/calendar.spotlight.com\/\" rel=\"noopener\">Spotlight Performance Calendar<\/a><\/li>\n<\/ul>\n<h3><strong>Industry Conference Content<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/highlights-from-the-spotlight-conference-2025\/\">2025 Highlights<\/a><\/li>\n<\/ul>\n<h3><strong>Studios and Casting Services<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.spotlight.com\/rooms-and-studios\/\">Spotlight Rooms and Studios<\/a><\/li>\n<li><a href=\"https:\/\/www.spotlight.com\/spotlight-self-tape\/\">Spotlight\u2019s Self-Tape<\/a><\/li>\n<li><a href=\"https:\/\/edition.pagesuite.com\/html5\/reader\/production\/default.aspx?pubname=&amp;edid=19184f56-c826-4aeb-b6d2-95ecdeb17242\" target=\"_blank\" rel=\"noopener\">UK Film Studios<\/a><\/li>\n<\/ul>\n<h3><strong>Travel and Visas<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/the-essentials\/guide-to-working-in-eu-as-a-uk-national\/\">A Guide for Working in the EU if You&#8217;re a UK National<\/a><\/li>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/the-essentials\/guide-to-working-in-the-uk-as-an-eu-national\/\">A Guide to Working in the UK as an EU National<\/a><\/li>\n<li><a href=\"https:\/\/www.gov.uk\/government\/collections\/the-creative-industries-sector-from-january-2021#history\" target=\"_blank\" rel=\"noopener\">UK Government Advice for UK &gt; EU<\/a><\/li>\n<li><a href=\"https:\/\/www.gov.uk\/permitted-paid-engagement-visitor\" target=\"_blank\" rel=\"noopener\">UK Government Advice for Non-UK &gt; UK<\/a><\/li>\n<\/ul>\n<h3><strong>Wellbeing and Support<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/supporting-your-mental-health-and-wellbeing\/\">Spotlight Wellbeing and Mental Health Hub<\/a><\/li>\n<li><a href=\"https:\/\/actorschildren.org\/how-act-helps\/funding-for-your-child\/\" target=\"_blank\" rel=\"noopener\">Grants for Parents and Carers<\/a><\/li>\n<li><a href=\"https:\/\/pipacampaign.org\/\" target=\"_blank\" rel=\"noopener\">Parents in Performing Arts (PiPA)<\/a><\/li>\n<\/ul>\n<h3><strong>Young Performers<\/strong><\/h3>\n<ul>\n<li><a href=\"https:\/\/www.theaypa.co.uk\/code-of-conduct\" target=\"_blank\" rel=\"noopener\">AYPA Code of Conduct<\/a><\/li>\n<li><a href=\"https:\/\/www.nncee.org.uk\/news\/1688\/new-a-guide-to-child-performance-licensing-version-2\" target=\"_blank\" rel=\"noopener\">Child Performance &amp; Legislation Guidelines<\/a><\/li>\n<li><a href=\"https:\/\/www.workplacerelations.ie\/en\/what-we-do\/employment-rights-information\/licensing\/licence_to_employ_children_in_film_tv_work.html\" target=\"_blank\" rel=\"noopener\">Employment of Children in Theatre &amp; Film &#8211; Ireland<\/a><\/li>\n<li><a href=\"https:\/\/www.spotlight.com\/wp-content\/uploads\/2020\/06\/pma-spotlight-children-guidelines.pdf\" rel=\"noopener\">Good Practice Guidelines for Working with young performers (PMA and Spotlight)<\/a><\/li>\n<li><a href=\"https:\/\/ico.org.uk\/for-organisations\/uk-gdpr-guidance-and-resources\/childrens-information\/childrens-code-guidance-and-resources\/age-appropriate-design-a-code-of-practice-for-online-services\/\" target=\"_blank\" rel=\"noopener\">ICO Children&#8217;s Code: Age-Appropriate Design<\/a><\/li>\n<li><a href=\"https:\/\/www.sagaftra.org\/membership-benefits\/young-performers\/coogan-law\" target=\"_blank\" rel=\"noopener\">SAG-AFTRA &#8211; Young Performer<\/a><\/li>\n<li><a href=\"https:\/\/learning.nspcc.org.uk\/safeguarding-child-protection\/writing-a-safeguarding-policy-statement\" target=\"_blank\" rel=\"noopener\">Safeguarding Children Policy &#8211; UK<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019ve compiled a handy list of resources for our agent and casting members. This list includes guidelines on language and inclusivity, codes of conduct, child employment resources and much more. Agency Resources Personal Managers&#8217; Association (PMA) Agents of Young Performers Association (AYPA) Co-operative Personal\u00a0Management Association (CPMA) Tagmin &#8211; Spotlight&#8217;s Agency Solution Best Practice Guidelines for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":951,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[62],"tags":[],"class_list":["post-950","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-help-and-faqs"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Helpful resources for Spotlight Agent and Casting members | Spotlight<\/title>\n<meta name=\"description\" content=\"Essential resources and links for Spotlight agents and casting professionals, including 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