{"id":7220,"date":"2024-12-19T11:46:55","date_gmt":"2024-12-19T11:46:55","guid":{"rendered":"https:\/\/www.spotlight.com\/?p=7220"},"modified":"2026-01-23T09:14:44","modified_gmt":"2026-01-23T09:14:44","slug":"bob-marley-one-love-screening-with-kharmel-cochrane","status":"publish","type":"post","link":"https:\/\/www.spotlight.com\/news-and-advice\/the-industry\/bob-marley-one-love-screening-with-kharmel-cochrane\/","title":{"rendered":"Watch Q&#038;A with Kharmel Cochrane about Casting &#8216;Bob Marley: One Love&#8217;"},"content":{"rendered":"<h2><span style=\"font-weight: 400;\">Kharmel Cochrane shines a spotlight on the casting process for <\/span><i><span style=\"font-weight: 400;\">Bob Marley: One Love, <\/span><\/i><span style=\"font-weight: 400;\">commercials <\/span><span style=\"font-weight: 400;\">and how she likes to audition performers.\u00a0<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">We were delighted to host a private screening of <\/span><i><span style=\"font-weight: 400;\">Bob Marley: One Love<\/span><\/i><span style=\"font-weight: 400;\"> for Spotlight members followed by a question and answer session with the film&#8217;s casting director, Kharmel Cochrane.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Kharmel Cochrane is arguably one of the busiest casting directors in the business. Film credits to her name include <\/span><i><span style=\"font-weight: 400;\">Nosferatu<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Saltburn<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Rye Lane<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">The Northman<\/span><\/i><span style=\"font-weight: 400;\">, to name but a few. She also works across television (<\/span><i><span style=\"font-weight: 400;\">Lady Chatterley\u2019s Lover<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Everything Now<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Lockwood &amp; Co<\/span><\/i><span style=\"font-weight: 400;\">.), short films, music videos and is known for her love of commercials, recently casting 2024\u2019s M&amp;S Christmas ad.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the Spotlight screening event, David Flynn, Director of Partnerships at Spotlight, moderated the Q&amp;A session, asking Kharmel questions that had been sent to us by our members on social media. Spotlight members who attended the event also had the opportunity to ask questions and the session provided valuable insight into the casting process of a major biopic.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As well as going into detail about her three year casting journey for <\/span><i><span style=\"font-weight: 400;\">Bob Marley: One Love<\/span><\/i><span style=\"font-weight: 400;\">, Kharmel shared insights on:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What an audition with her looks like.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Skills and accents on Spotlight profiles.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Casting directors relationships with agents.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">In person auditions versus self-tape.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Advice for performers auditioning for TV, film and commercials.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">For those who weren\u2019t able to attend, we filmed the question and answer session and you can watch it here:<\/span><\/p>\n<div class=\"umb-macro-holder mceNonEditable\">\n<p><!-- <?UMBRACO_MACRO macroAlias=\"ResponsiveEmbed\" EmbedInfo=\"&lt;iframe width=&quot;1280&quot; height=&quot;675&quot; src=&quot;https:\/\/www.youtube.com\/embed\/tMSaCxizG64?si=REpQutgUIXXeYX9y; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen&gt;&lt;\/iframe&gt;\" \/> --> <ins><\/ins><\/p>\n<div class=\"embededYoutube\" style=\"padding-top: 52.73438%; position: relative; width: 100%; display: block;\"><iframe style=\"border: 0; position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/www.youtube.com\/embed\/\/tMSaCxizG64?si=REpQutgUIXXeYX9y\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>Or, if you&#8217;d prefer, you can listen to the audio in this special episode of the Spotlight Podcast:<\/p>\n<div class=\"embededPodcast\"><iframe loading=\"lazy\" style=\"border: none; min-width: min(100%, 430px); height: 150px;\" title=\"Kharmel Cochrane: Casting 'Bob Marley: One Love', Auditions and Commercials\" src=\"https:\/\/www.podbean.com\/player-v2\/?from=embed&amp;i=2eazk-18202e2-pb&amp;share=1&amp;download=1&amp;fonts=Arial&amp;skin=f6f6f6&amp;font-color=auto&amp;rtl=0&amp;logo_link=episode_page&amp;btn-skin=60a0c8&amp;\" width=\"100%\" height=\"150\" scrolling=\"no\" data-name=\"pb-iframe-player\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/div>\n<h2>Key Insights<\/h2>\n<ul>\n<li><strong>Accents and dialects<\/strong>. Kharmel used the filters on Spotlight to search for performers who had Patois listed as an <a href=\"https:\/\/www.spotlight.com\/news-and-advice\/the-essentials\/how-to-master-an-accent\/\">accent<\/a>.<\/li>\n<li><strong>Specialist Skills.<\/strong> In order to find credible performers for the musician roles, Kharmel searched the <a href=\"https:\/\/www.spotlight.com\/news-and-advice\/getting-work\/how-specialised-skills-help-actors-find-work\/\">&#8216;Skills&#8217; of performers<\/a> on Spotlight to see how was proficient at playing drums, guitar etc.<\/li>\n<li><strong>Commercial auditions.<\/strong> As well as being a vehicle for practicing your craft, <span style=\"font-weight: 400;\"><a href=\"https:\/\/www.spotlight.com\/news-and-advice\/the-essentials\/getting-started-with-commercial-acting-work\/\">commercials<\/a> are a great way to make some money and get seen by casting directors who may remember you for other roles they&#8217;re casting.<\/span><\/li>\n<\/ul>\n<h2><span style=\"font-weight: 400;\">About the Film<\/span><\/h2>\n<div class=\"responsiveEmbed responsiveEmbedInWysiwyg\">\n<p><i><span style=\"font-weight: 400;\">Bob Marley: One Love<\/span><\/i><span style=\"font-weight: 400;\"> is based on the life of singer-songwriter Bob Marley, and explores his personal struggles, overcoming adversity, his triumphs and the journey behind his music. The film delves into the relationship between Marley and his wife Rita, who are portrayed on screen by Spotlight members Kingsley Ben-Adir and Lashana Lynch.<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">Transcript<\/span><\/h2>\n<p><em>Edited for clarity.<\/em><\/p>\n<h3><span style=\"font-weight: 400;\">How did you become attached to One Love?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">It took nearly three years to cast the film. An agent who I have spoken to for years recommended me to Paramount\u2019s casting department. I think they called a couple of agents, and said, &#8220;Who&#8217;d you like?&#8221; And then I found myself on Zoom with the director. They definitely thought I was Jamaican, and I was like, &#8220;No, I&#8217;m half Dominican.&#8221; But I was also like, &#8220;I want a job, so I&#8217;ll be whatever you want me to be.&#8221; <\/span><\/p>\n<p><span style=\"font-weight: 400;\">We did a Zoom, and started off trying to find \u2018Bob Marley\u2019, and I think we did that for about a year.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">How do you find a Bob Marley?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">You look everywhere. I had the most amazing time with Kareen (Blake Chin), who did all the casting in Jamaica. We did everything, we looked at musicians, actors, dancers, anyone, everywhere. If you&#8217;re doing a biopic, at least there&#8217;s a physical person that they have to look like, so in some ways, it&#8217;s not as hard as some other scripts, where it could be anyone. There are physical parameters. But it&#8217;s surprising, quite a few actors don&#8217;t want to do biopics.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">How involved was Bob Marley&#8217;s estate in the film?<\/span><span style=\"font-weight: 400;\">:<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Really involved, and actually, it was lovely. One of the best moments in my career was going out to Jamaica for a set visit. I&#8217;m pretty redundant on set, because I don&#8217;t have a job, so [I was] just looking, looking at the goats, and they [the crew] were setting fire to a field. At one point, I got hungry, and there&#8217;s a whole craft service [there], I went to go and get a snack, and they were like, &#8220;No, those are for Ziggy Marley&#8217;s kids.&#8221; They were ever-present, and it was really great. I grew up listening to Bob Marley, and to be engaging with them was insane.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Did Bob Marley\u2019s family have any say in the casting?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Yes. I think what people might not realise is that the decision doesn&#8217;t stop with me. I could sit there and say, &#8220;Oh, I think it should be this person,&#8221; but ultimately, we get the tapes, we&#8217;ll forward them to production, to the director, and then once the director says yes, they then go to the studio, and then from the studio, they&#8217;d go to the family.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sometimes you&#8217;d be like, &#8220;Yes, we&#8217;ve nailed it.&#8221; <\/span><span style=\"font-weight: 400;\">I spent six months trying to find this kid to look exactly like Ziggy, and Ziggy would come back and be like, &#8220;That kid doesn&#8217;t look like me.&#8221; And you&#8217;re like, &#8220;Oh. Back to the drawing board.\u201d<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">How is it auditioning actors who are sometimes a bit liberal with the truth about their accent and what they can do?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">There was a lot of [me] asking the agent, &#8220;Are you sure? Are you sure? Are you positive? Because it&#8217;s going to be really embarrassing if they come in and they can&#8217;t.&#8221; And the agent would be like, &#8220;Absolutely.&#8221; And then, questionable\u2026<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Did the Spotlight accent filters come in useful?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Yep, that&#8217;s pretty much how we started. At the beginning, we weren&#8217;t allowed to say what we were doing and so we would just form these shortlists by clicking on who&#8217;s proficient, and then also using the music filters, [to see] who could play the drums, who could play the guitar, who could sing. But we also found that people are liberal with those too.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">That&#8217;s why we need to audition in the room.<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">All of our auditions were in-person. We did lots of self-tapes in the first round, but then we went directly to meetings.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">The scale of the film is apparent as well. It&#8217;s a huge cast and films across different continents&#8230;<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">76 [in the cast], I think. The tricky thing was getting the Jamaican actors that Kareen cast into the UK as they needed a six-week visa period. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">We had a <\/span><i><span style=\"font-weight: 400;\">Call My Agent<\/span><\/i><span style=\"font-weight: 400;\"> moment, I don&#8217;t know if you&#8217;ve seen it, that episode where an agent hires an actor out for the day, but they&#8217;re [working] on two things, and you think, &#8220;Oh, that would never happen.&#8221; Definitely happened to us. There was a motorbike involved in getting one actor from one series that they were doing to our set.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">What was Lashana Lynch\u2019s journey to \u2018Rita Marley\u2019?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">She auditioned. And she auditioned with Kingsley [Ben-Adir], they did chemistry, and I remember it vividly. I wasn&#8217;t there for Lashana[\u2018s audition], it was during the summer and I was on holiday with my kids, but we were all watching through Zoom. Trisha at Paramount, who&#8217;s our casting exec, who&#8217;s the most amazing, wonderful woman, was there. And it was just magnetic watching the magic happen.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">James Norton was an inspired choice. He does look like Chris Blackwell.<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Which is weird because at the premiere, Chris was there, and I didn&#8217;t really recognise him. I don&#8217;t know if he looks like him, or if he&#8217;s just such a good actor that he really carries it. He was just great.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">What&#8217;s a typical audition like with Kharmel Cochrane?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">It will be me talking absolute nonsense, and then I&#8217;ll be like, &#8220;Okay, so then do your audition now.&#8221; The thing that I really try to impress upon everyone is that I can&#8217;t act, believe it or not, I can&#8217;t direct. I don&#8217;t know anything about directing or acting, I just don&#8217;t. All I can do is give you my instinct, which may or may not be right if I don&#8217;t have the director with me, But everyone&#8217;s there [in an audition] because we want to see them, it&#8217;s not a trick or a trap.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We like doing things in person.\u00a0<\/span><span style=\"font-weight: 400;\">I go to set as well. A lot of the time, if you&#8217;ve got these big Hollywood actors, I can&#8217;t really give an opinion if I haven&#8217;t seen them. They&#8217;re not going to audition, so I like to go to set and feel the vibe. Also, I just like to go on set because usually it&#8217;s not in the UK, I get to have a holiday. I&#8217;m not a martyr.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">You\u2019re one of the busiest casting directors, you\u2019re always putting breakdowns out on Spotlight, how do you manage all the spinning plates of different genres?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">I&#8217;ve just got a mind that can do lots of things at once. It doesn&#8217;t work for everyone. And actually, if I&#8217;ve got nothing to do, like at the moment, I&#8217;m so lazy, I don&#8217;t do anything. I need to be one or the other, I can&#8217;t really find a chill place in between. I&#8217;ve got kids, so I work my day, and then I stop, and then I start again in the evenings and do my film stuff.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I can remember actors. Other than in the wild where I&#8217;m like \u201cuh?\u201d<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Does that help you move actors about?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">We talked about waiting six or eight months [between auditions and filming], but sometimes we&#8217;ll cross over, and you&#8217;ll get three auditions, because we will have seen you for one thing. And whilst that&#8217;s waiting, I&#8217;m like, &#8220;Oh yeah, but that person&#8217;s great. Let&#8217;s see them for&#8230;&#8221; And so all of a sudden, there&#8217;ll be a flurry.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">How much of your decision making is guided by instinct or even spiritual awareness?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">150%. Nobody listens to me, and nobody believes me but for me, a lot is spiritual. A lot of it is thought and feeling, especially with my career.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When we cast Anya Taylor-Joy in <\/span><i><span style=\"font-weight: 400;\">The Witch<\/span><\/i><span style=\"font-weight: 400;\">, she was the second person that we saw that day. We&#8217;d seen her for something else, and she didn&#8217;t get it. She was the second person, and I knew it was her. I knew it was her from the beginning, but sometimes you have to indulge everyone else.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">I wonder what AI would&#8217;ve said if you&#8217;d ask a machine to cast\u2026?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">So this is what I find really, really interesting, because in the advent of self-tape and all of this stuff, I&#8217;m just like, &#8220;AI can&#8217;t do this. It can\u2019t be me, and do all the silly humour.&#8221; And that&#8217;s why I really like the personal, and knowing people, because you could AI cast a film easily. But they&#8217;re not going to get magic. You&#8217;ll get a perfectly fine cast, I&#8217;m sure, but you&#8217;re not going to get something special.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">It&#8217;s also about relationship management, isn&#8217;t it?\u00a0<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">I think that&#8217;s what people don&#8217;t realise, is all the back peddling that goes in, and speaking to the agents. The reason that I got <\/span><i><span style=\"font-weight: 400;\">Bob Marley <\/span><\/i><span style=\"font-weight: 400;\">was because an agent had put me forward. Now, if I had never spoken to that agent, met that agent, gone to the theatre with that agent, had lunch with that agent, they would never have put my name forward. It&#8217;s 20 years you&#8217;ve harvested into a relationship.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Is it eight months to three years before an actor is cast or is that the wait for production to start?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">With<\/span><i><span style=\"font-weight: 400;\"> Bob Marley<\/span><\/i><span style=\"font-weight: 400;\">, if the director liked you, we would \u2018pin\u2019 those people. So we&#8217;d say, &#8220;There&#8217;s interest. These are the dates that we have. Check back in with us. We&#8217;ll check back in with you.&#8221; And the agent is sat there going, &#8220;Okay, well, I&#8217;m sending them up for this audition, this audition, this audition. These dates clash.&#8221; And then we&#8217;d check-in, and they&#8217;d say, &#8220;Have you got any news?&#8221; I&#8217;d say, &#8220;No. Have you got any news on that job?&#8221; And then you&#8217;d just kind of keep it rolling.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">How can actors best navigate the \u2018pin\u2019 period that you mentioned?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">You&#8217;ve just got to do whatever feels good. Just know that everyone&#8217;s on your side, trying to make things happen, trying to make jobs happen. I don&#8217;t think anyone&#8217;s intentionally sat there going, &#8220;Let&#8217;s just park this for six months and not tell anyone.&#8221;\u00a0<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">What made you choose casting as a career?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">I didn&#8217;t even know it was a job. I got into it completely by accident. My cousin knew a director,\u00a0 the director asked me to go and do some street casting and paid me \u00a350 pounds. I was 17.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">He said, &#8220;Oh, my sister works in casting, you&#8217;d be really good.&#8221; And I went and worked there for three years. Didn&#8217;t go to uni, and then just stayed doing it. I ask myself every single day what else I&#8217;d be doing.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">How involved are you in all of the projects that come to your company?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">Every single part. I do all the creative, I don&#8217;t do any admin. They [casting assistants] type up the breakdowns, I approve them.\u00a0<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">What are your thoughts on in-person auditions versus self-tapes?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">I think it&#8217;s such a special interaction, I would say 70% of our stuff is in person. We did a commercial the other day where we said it\u2019s in person for first rounds but if you want to self-tape, self-tape. It was a 50\/50 split. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">A lot of actors like self-tape because they can do as many takes as they want. I have a real problem with that because I think if you\u2019ve done it 100 times to get to where you\u2019re at, that\u2019s a problem because you\u2019re not going to have 100 chances on set. Especially for some smaller parts.\u00a0 <\/span><span style=\"font-weight: 400;\">That\u2019s why there\u2019s so many reshoots, because you\u2019ve not worked with that person. There\u2019s no true test of their ability whereas if you\u2019re in the room, you know. Someone can just do it or they can\u2019t. I think there\u2019s more transparency in the room.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There\u2019s good things and bad things in both but I much prefer in person and working with people.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">Do you have any advice for performers auditioning for film versus TV?<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">We cross over a lot. I think historically, everyone always thought if you do a commercial, you\u2019ll never get seen for a film. No one watches TV so commercials, for me, are the best way to make some money to tide you over whilst you\u2019re waiting. I just think they\u2019re great. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">We see so many people, I think the quantity is completely different. So for a commercial, you\u2019ll see sometimes 100 people in a day. You\u2019re either right for it or you\u2019re not.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You can practice your craft and do all these things. Keep watching things and reading. I don\u2019t watch that much but I read a lot so you get a real sense of character, which I think always helps.<\/span><\/p>\n<h3><span style=\"font-weight: 400;\">I think that shows the importance of commercial auditions. You could be auditioning for Kharmel\u2019s commercial and end up in a feature film.<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">The guy that played \u2018Mick Jagger\u2019 [in <em>Bob Marley: One Love<\/em>] was someone who was suggested through a commercial model agency.<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\">Thanks to Kharmel Cochrane for her candid insight into the world of casting, and thanks to our wonderful Spotlight members for their interesting questions.\u00a0<\/span><\/em><\/p>\n<p><em><span style=\"font-weight: 400;\">If you\u2019d like to attend future Spotlight events, make sure you\u2019ve opted in to receive our marketing emails.<\/span><\/em><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8216;Bob Marley: One Love&#8217; is available to stream on Apple TV and Amazon Prime.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Kharmel Cochrane shines a spotlight on the casting process for Bob Marley: One Love, commercials and how she likes to audition performers.\u00a0 We were delighted to host a private screening of Bob Marley: One Love for Spotlight members followed by a question and answer session with the film&#8217;s casting director, Kharmel Cochrane. Kharmel Cochrane is [&hellip;]<\/p>\n","protected":false},"author":52,"featured_media":7230,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[35],"tags":[64,93,49,95,52],"class_list":["post-7220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-industry","tag-casting-directors","tag-events","tag-film","tag-interview","tag-video"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Casting Bob Marley: Kharmel Cochrane | Spotlight<\/title>\n<meta name=\"description\" content=\"Kharmel Cochrane interview: Casting \u2018Bob Marley: One Love\u2019, working on a biopic and how she auditions performers.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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