{"id":2500,"date":"2020-01-31T09:54:50","date_gmt":"2020-01-31T09:54:50","guid":{"rendered":"https:\/\/www.spotlight.com\/?p=2500"},"modified":"2026-04-20T14:31:02","modified_gmt":"2026-04-20T14:31:02","slug":"radio-and-voice-studio-setups-explained","status":"publish","type":"post","link":"https:\/\/www.spotlight.com\/news-and-advice\/the-industry\/radio-and-voice-studio-setups-explained\/","title":{"rendered":"Radio and Voice Studio Setups Explained"},"content":{"rendered":"

Award-winning audio writer, director and producer Jack Bowman explains the various types of radio and voice studio setups performers may encounter.<\/h2>\n

Audible Studio Setup<\/h3>\n

Audible like to cast big names for their audio output. If you do work for Audible, you will likely receive the script in advance however it\u2019s not uncommon for the rest of your company to not yet be cast when you start recording.<\/p>\n

In the studio you\u2019ll be sat on one side of the glass with the tech team on the other side. The studio has three microphones at the front for the cast – you\u2019ll probably have your own one – and an effects mic will be located in the back corner. You’ll mostly be static as there\u2019s\u00a0limited\u00a0space to walk to the mic so\u00a03Ding<\/a>\u00a0is more important than ever as you have to sell space in the scene that does not physically exist in the studio.<\/p>\n

BBC Studio Setup<\/h3>\n

The BBC use a single mic set-up with the scene\u2019s main performer being front and centre. Treat the mic as your audience, walk towards it to deliver your line and then move away when you\u2019re finished to allow another scene partner to approach.<\/p>\n

The BBC expect a bit of physicality in their audio performers so make use of the space and distance around the mic to sell the scene. Stand back and then make a beeline for the mic when it\u2019s your time. The director will instruct you on basic blocking if required.<\/p>\n

Big Finish Studio Setup<\/h3>\n

Big Finish are one of the largest employers of voice actors in the UK. They\u00a0usually\u00a0use\u00a0a one-of-a-kind studio configuration,\u00a0at Moat Studios, where each performer will be in their own booth with their own mic. You will be seated on a high stool and you won\u2019t be able to see your fellow cast members. Even though performers are isolated from one another, you will be performing together.<\/p>\n

Binaural Recording<\/h3>\n

Binaural recordings create a sense of 3D sound so the listener feels like they are in the room with the performers. The lead\u00a0actor\u00a0in a scene will wear a headset that allows them to act as a human microphone. If there is no lead character then a mannequin would be placed in the studio wearing a rig. It\u2019s best to treat this setup like theatre, take a few steps in for your lines but don\u2019t cross the mic. You\u2019ll need to move when you talk and always be aware of where the mic is so it\u2019s important that you know your lines better than you would for other types of audio recording.\u00a0It will require stage blocking with your director, and likely be recorded in continuous, whole takes as editing binaural soundtracks is difficult due to the 3D nature of them.<\/p>\n

Other Studio Configurations<\/h3>\n

There\u2019s a new emerging mic configuration that involves having a crisscrossed rig in the centre of the studio with a single mic setup. It\u2019s designed to bring performers closer together with actors performing\u00a0at\u00a0each other using one mic. Usually the main character would be front and centre but in this set-up status goes out of the window and the cast is all in it together.<\/p>\n

Read more about\u00a0voice work for performers<\/a>\u00a0and\u00a0working in the audio industry.<\/a><\/p>\n

Jack Bowman\u00a0is an award-winning audio writer, producer, director and BBC Studios Podcast producer. He co-created \u2018The Springheel Saga\u2019 for Wireless Theatre Ltd and has produced notable titles award-winning titles such as \u2018Dead London\u2019 and Audible\u2019s \u2018Murder On The Orient Express\u2019.<\/em><\/p>\n

Jack spoke about working in radio and audio drama at a\u00a0Spotlight Open House session<\/a>, which are free for members to attend (spaces are limited).\u00a0Read write-ups from previous Open House sessions<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Award-winning audio writer, director and producer Jack Bowman explains the various types of radio and voice studio setups performers may encounter. Audible Studio Setup Audible like to cast big names for their audio output. If you do work for Audible, you will likely receive the script in advance however it\u2019s not uncommon for the rest […]<\/p>\n","protected":false},"author":1,"featured_media":2935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[35],"tags":[124,84,77],"class_list":["post-2500","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-industry","tag-audio","tag-open-house","tag-voice"],"acf":[],"yoast_head":"\nRadio and Voice Studio Setups Explained | Spotlight<\/title>\n<meta name=\"description\" content=\"Explore professional radio and voice studio setups, from the BBC's single-mic style to binaural recording and Audible's cast techniques.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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